I agree with Whale. Ditch 1741. I’m normally a sucker for square and near-square (love my 6x6) aspect ratios, but transitioning to them is a test of a photographer’s artistic eye. You might consider going back and cropping again, but I wouldn’t bother—the leaves just aren’t that compelling.
Evaluating these from a more technical perspective, 1534 and 2085 both look maybe a half stop overexposed—although in 2085 you’re doing battle against the simple fact that shooting the sky on an overcast day is typically a losing proposition. Visually, the pipe is a strong subject—its unfortunate the environment didn’t fully cooperate. Also, little more DOF would have been nice, I think.
The files don’t seem to contain any Exif data, so I don’t know what camera you’re shooting (or the exposure settings). It looks like your photos might benefit from reading up on basic metering and exposure technique. I say this not to be condescending, but because skilled metering will help you get the image your after more often. Its especially important if you’re shooting JPG, since there’s no way to recover detail post-exposure from blow out highlights.
For the sake of all that’s holy, resize before you post next time. There are plenty of reasons to do this, but perhaps the best is simply that they will look better than if they’re resized in the web browser.
[quote author=“Xaphon”]My problem with the rust one isn’t the composition, its the sheer amount of noise in the photo.
Which is in turn why, since accidentally destroying my new olympus camera, I’ve decided against digital, gone back to 35mm.
I don’t think noise is really a good reason to avoid digital entirely. Any full-frame digital should compete just fine with 35mm film. Of course, the film is vastly more economical for the casual shooter, so definitely its a worthy alternative to inexpensive point-n-shoots.
That being said, I love film. I’ve found my best photos are often taken right after I get a new piece of gear—lens, filter, flash, whatever—because the new technical abilities encourage me to try new things. With film I can get this effect simply by loading a new emulsion.
Fuji recently discontinued Velvia 50. Kodak discontinued Kodachrome 25 along with their B/W paper. And of course Nikon is no longer making film cameras. It appears film is dying, and its a damn shame. The creative possibilities and fun—that’s right, photography should be fun—of film have yet to be matched by digital, and for this reason I think every dSLR shooter owes it to himself to own a film body.